Certainly it was convenient for Picasso to rejig the human face in terms of bladelike noses and scarification lines, a I'Africaine.
The clarity and measure of the green architectural frame, with its slender columns and bladelike ribs, in which the theologian Saint Thomas Aquinas kneels in prayer, is like a .
Originally a scene of green pine trees and blue sea, it became a brisk mosaic of slender, bladelike forms set with cunning ambiguity between figure and field, in a matrix of dark .