‘Waiting for Godot’: Absurdity, time and ‘entertainment’ An air of the eerily bizarre hangs upon the stage with the beginning of Gare St. Lazare Players’ version of Waiting for Godot. Estragon (“Gogo”) fumbles with his too-tight boot, squatting in a divot of the monolithic stone disc that makes up the main area of the set. Vladimir (“Didi”), a vampiric figure in a black […]
Nov. 13, 2013 - The Daily Free Press