Much Ado About Nothing Joss Whedon's deft direction makes thoughtful use of gesture and physical comedy in this Shakespeare re-do by Harry Kloman In the canon of William Shakespeare, Much Ado About Nothing is probably the most difficult work — to mess up: It's charming and familiar, a diptych love story with two happy endings, albeit with a slightly dark middle as conflicts play out. Joss Whedon's new filming takes ...
June 19, 2013 - Pittsburgh City Paper